Archives : De Moor, Johan

La Vache en Afrique

La Vache en Afrique

When she’s not busy giving hell to every known kind of sundry bastard, uncaring polluter and shameless exploiter on earth, la Vache puts away her signature fedora and trenchcoat and persuades Johan de Moor to create a screenprint for Champaka Brussels. And like a man possessed (a whiff of Bosch, perhaps, or maybe a shot of the original “Bob et Bobette”?) he doesn’t know how to hold back on his box of graphic tricks: collage, flashy colours… In the end, the publisher receives the original artwork accompanied by a bizarre message : “The process of domestication is dependent on the social mores of the beast and on its propensity to adopt man as head of the herd… with the exception of carnivores, of course?” And the signatories? Why, Charles Darwin and Johan de Moor. Of course.

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